By Peter Heymans
The clinical, political, and business revolutions of the Romantic interval reworked the prestige of people and redefined the concept that of species. This booklet examines literary representations of human and non-human animality in British Romanticism. The book’s novel technique specializes in the function of aesthetic style within the Romantic figuring out of the animal. focusing on the discourses of the elegant, the attractive, and the gruesome, Heymans argues that the Romantics’ aesthetic perspectives of animality influenced—and have been encouraged by—their ethical, clinical, political, and theological judgment. The learn unearths how emotions of environmental alienation and disgust performed a favorable ethical position in animal rights poetry, why ugliness awarded this kind of significant issue for Romantic-period scientists and theologians, and the way, in political writings, the violent but awe-inspiring energy of unique species got here to represent the sweetness and terror of the French Revolution.
Linking the works of Wordsworth, Blake, Coleridge, Byron, the Shelleys, Erasmus Darwin, and William Paley to the theories of Immanuel Kant and Edmund Burke, this booklet brings an unique standpoint to the fields of ecocriticism, animal reports, and literature and technological know-how studies.
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Extra resources for Animality in British Romanticism: The Aesthetics of Species (Routledge Studies in Romanticism)
Animality in British Romanticism: The Aesthetics of Species (Routledge Studies in Romanticism) by Peter Heymans