By Pamela Regis
The romance novel has the unusual contrast of being the most well-liked yet least revered of literary genres. whereas it is still continuously dominant in bookstores and on best-seller lists, it's also greatly brushed aside by way of the serious group. students have alleged that romance novels support create subservient readers, who're mostly ladies, by means of confining heroines to tales that forget about matters except love and marriage.
Pamela Regis argues that such serious stories fail to take into account the private selection of readers, supply any actual definition of the romance novel, or talk about the character and scope of the style. providing the counterclaim that the romance novel doesn't enslave ladies yet, to the contrary, is ready celebrating freedom and pleasure, Regis bargains a definition that offers critics with an elevated vocabulary for discussing a style that's either vintage and modern, horny and entertaining.
Taking the stance that the preferred romance novel is a piece of literature with a super pedigree, Regis asserts that it's also a really previous, good shape. She lines the literary background of the romance novel from canonical works equivalent to Richardson's Pamela via Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, after which turns to extra modern works resembling the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.
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Extra info for A Natural History of the Romance Novel
A Natural History of the Romance Novel by Pamela Regis